How it’s made

It’s mid March and the snow has started falling again, so it seems like a good time to snuggle up under a blanket and write another blog post! My subject today is the making process, which in my case has many stages, but it’ll give you a rough overview of how I make my pictures and dioramas.

Each piece I make stems from a linear black and white line drawing in my sketchbook, or more often a series of drawn shapes and patterns rather than a fully formed ‘scene’. I photograph each drawing and piece them together using Photoshop on my laptop. From here I can create layers and manipulate them to give me a rough idea of how the finished picture will look.

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In a way it’s like working out how the layers for a screenprint will look, but each layer will become a ply shape rather than a silkscreen. Each piece has to fit into a frame or a box so a lot of measuring and re-measuring takes place; in the case of the above design where some shapes will touch the inner frame top and bottom, the tree sizes have to be exact to fit perfectly. Once I’m happy with this stage I can then turn each separate piece into a vector drawing using Inkscape, ready for laser cutting. Depending on the size and complexity of the finished work, the number of shapes needed can vary from 4 for a framed picture to 27 for a box diorama! When my vector drawings are finished I can then email them off to my lovely laser cutting lady who goes by the name of LaserFlair

I spent many hours at the start of the year working on new drawings which this week arrived in the flesh, so to speak. It’s always exciting when a parcel from LaserFlair comes, and I can’t wait to get started printing, painting and gluing! (But before I do that I like to lay it all out at right angles aka ‘knolling’ – I can’t help myself!)

 

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So the design process is the most lengthy part, but once that is done there’s lots of scope within to allow me to create a very different look for each piece I make, whether it’s through use of colour, pattern or even the placement of the ply shapes. Each item I make gets a unique twist! First off I decide on a general colour scheme, but that sometimes changes halfway through and goes off in a different direction! The smaller areas of wood are painted, while larger ones are printed. It helps to be working on 2 or 3 things at the same time so there’s no waiting around for ink to dry…once each piece has colour and pattern I can start placing them in their frame or box, which involves creating something of an infrastructure (ie lots of little bits of ply in strategic places) to attached the layers to.  With the smaller boxed dioramas this can get very fiddly indeed, and the tweezers are usually on standby!

And that’s more or less the process – it’s laborious at times but every piece is a labour of love. I get so much satisfaction from my work; my favourite days involve sitting in my wee studio, listening to arts programmes on the radio, and making my dioramas.

Cabin in the Woods

 

Well, as expected, 2018 is zipping by. Unbelievably we’re already into February; January was the usual struggle of getting back into the swing of things after a very busy festive season; happily, there was plenty of replenishing to do and new things to try out (along with a list of DIY jobs and trying to learn French on the side!) which got me through the darkest month.

When there is snow on the ground (like today), I like to daydream about living in a secluded wooden cabin, cosy in front of a wood-burning stove. It is no surprise then, that one of my favourite pieces to make is a cabin diorama!

 

I live in a mostly urban area, albeit in a relatively quiet corner of the town flanked by woods and river. Walk for a few minutes though, and the busy roads and new housing estates start to encroach on our peaceful enclave. The lack of foliage in the winter also leaves us a bit exposed, and I’m thankful for the line of tall evergreen leylandii at the end of our cul-de-sac, protecting us from the roar of the motorway. This might all go some way to explaining my ‘cabin in the woods’ fixation! I’ve made quite a few of these now, each one slightly different, and the most common response they illicit from people is ‘Oh I’d love to live there!’ . I guess it’s a fundamental desire in a lot of us to find solitude amidst the hectic pace of modern living, an antidote to our busy lives.

 

 

An Indie Christmas

Like a lot of people I find myself constantly struggling to comprehend where the time goes, no more so than 5 weeks before Christmas. No really, what happened to Autumn?? How come all the festive craft fairs I booked back at the start of the summer are now imminent??? Yes, this happens every year and it still always takes us by surprise…

So – time to get organised. Fortunately, shopping for Christmas presents is a complete scoosh these days due to the plethora of independent businesses producing gorgeous, original products. It’s never been easier to buy beautifully-made, unique gifts, whether it’s from a local artisan fair or shop, through marketplaces such as Etsy and Folksy, or direct from a maker’s website. Over the next three weekends I’ll be selling my work at the following fairs in Perthshire and Glasgow (full details are on the ‘Shop’ page):

They all promise to be fantastic events with a very high standard of work being exhibited; there really will be something for everyone, and it is a lovely way to shop in your local neighbourhood.

Which is more than can be said for Black Friday, which is almost upon us; a lot of small businesses will be feeling under pressure to reduce their prices to try and compete with big brands and businesses. To combat this, the wonderful Just A Card campaign has come up with INDIE FRIDAY!

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Across social media Just A Card will be promoting the work of independent makers and shops from all over the UK – look out for the #JACIndieFriday #IndieFriday hashtags on Twitter and Instagram and join in the fun!
And remember – when you’re out Christmas shopping this year, don’t pass by an independent. Take a look – you never know what you might find!

 

 

Home is where the anchor drops

There’s definitely an unwelcome nip in the air today, and my proclamations of “I’ve got high hopes for some warm weather in October, last year we had some really hot days” seem a bit optimistic now! Still, it is only the 3rd…

To distract myself from the low temperatures and worryingly dark evening dog walks, I like to daydream about living by the sea (this is nothing new, it has to be said). I achieved the dream for about 8 months in 2009 (ok, that was living by an estuary but near enough). One day, I keep telling myself. In the meantime I’ll just have to be satisfied with making nautical-inspired items! Anchors away!

 

 

Into The Woods

Mad Miss Morag the Lakeland Terrier has come to stay for the day (which always puts my dog Rudy’s nose a tad out of joint); whilst they are both snoozing in between bouts of general insanity, I’m taking the opportunity to write my second blog post!

It’s a bright, but chilly, Monday morning, and I’m watching a robin and a lovely little wren fluttering about in the garden. It’s all feeling rather autumnal so it seems appropriate to bring your attention to the Just A Card Into The Woods Autumn Shopping Guide!

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It’s a wonderful selection of art and craft on an autumnal theme featuring woodland-inspired items from 25 UK based independent makers, and features my Forest Diorama. Find out more about the Just A Card campaign for independent businesses here and have a read of their blog too – you’ll discover so many fantastic makers and get an insight into how they produce their lovely work.

Right, the Terrible Terrier Twosome are stirring – time to go!

 

 

 

A bit of background info

Hello there! This is Hooperhart’s first blog post so ‘bear’ with me!

This is my new home on that intersneckle thingy, and I’ll be using it to update you on what Sad Panda Printing is up to, including new work, events and general life stuff.

I started Sad Panda Printing in 2015, when I taught myself to screenprint (with the help of YouTube, of course!) intending to use it as a means of transferring my hand-drawn patterns onto paper, fabric and plywood. After a while of experimenting with different surfaces I began to concentrate on printing onto wood – it’s such a lovely surface to print on (although the amount of sanding I have to do is pretty nightmarish!). Over time the grain of the wood’s surface has become an integral part of the overall look of each piece I make, adding another dimension to the work.

I’ll focus on some of my working methods in upcoming posts, so if that’s the sort of thing that floats your boat then stay tuned (there will probably also be the occasional picture of my dog if that gives you an extra incentive)!

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